TAQSIM Free is a fully-playable NI Kontakt Middle Eastern instrument featuring select musical instruments and synth sounds used by keyboard players in both live and studio settings for Arabic, Armenian, Balkan, Greek, Persian and Turkish music. It features the ability to alter the quarter tones on the front panel of the instrument.
The Turkish Clarinet Bundle evokes the warmth of cultural emotion, emerging from the deep roots of the classical to the vibrant modern. The clarinet, inspired by the rich ethnic Turkish instruments and sounds through the ages, creates soundscapes that range from down tempo to upbeat, with the unmistakable flavours of Turkey.
Turkish Instruments Vst
The Middle East Library of the Native Instrument's Spotlight Collection is arguably the best virtual library for anyone who wants to compose Middle Eastern music. This library features a wide range of String, Precrussive, and Full Ensembles as well as individual instruments.
There are 10 instruments worth 3.85GB included in the library. All instruments are recorded with different mic positions and velocities to give absolute realism. However, there are no Musical instruments included in this library.
Ancient Era Persia is one of the most popular virtual instruments for composing Middle Eastern music. The library features 28 instruments. The library is created by Eduardo Tarilonte. The Middle East 2.0 library includes Wind, Percussive, and string instruments.
Volko Audio is a music technology company located in Turkey, Istanbul that produces virtual instruments and audio effects. It is the first company to produce virtual instruments in Turkey and Volko Baglama is the first professional virtual Turkish instrument in the world.
Kvr Audio is a reliable site which contains most of the audio firms, released virtual instruments and audio effects in the world. According to Kvr Audio, Volko Baglama was released on 31 May 2005 and there was no baglama instrument released earlier than the Volko Baglama.
"Completely local made, first VST plug-in" (in the cover of magazine) "Finally we have a VST" (in the cover of the article) "Observing the lack of such a VST and knowing the interest of foreign musicians to Turkish local instruments, Volkan Özyılmaz is proud to make this doubtful journey real after receiving good feedback from international audience."
For over a decade, our mission has been to create an ever-growing selection of inspiring instruments, orchestral sections, drums, percussion ensembles, choirs, solo voices, folk and vintage instruments, experimental sonic contraptions, cinematic effects and sound-designed creations.
Observing the lack of such a VST and knowing the interest of foreign musicians to Turkish local instruments, Volkan Özyılmaz is proud to make this doubtful journey real after receiving good feedback from international audience.
Thank you very much for your answer :). The problem is that it is not possible to arrange the tones in the MG in the order you wrote How is it possible to tune the 7 strings in the MG in that order? Do you have to edit the Tunings patch?I have several VST instruments in Kontakt where I can adjust the tonal scale as I want, but when I play it with MG some strange sounds come out during playing I tried many combinations of tuning, but still get strange sounds biside of some good sounds from MG.
The other way to go about thing is to use unfretted instruments as input. This means in practice that the MG2 software will interpret whatever you play as one of those twelve semitones, and if you then slide even the slightest on your fretboard the pitchblende/pitchwheel will pich up on this and produce also quarter tones. It takes a bit of playing to get use to, but it is not impossible.
For Ancient ERA Persia, Eduardo Tarilonte recorded 28 percussion-, wind- and stringed-instruments in highest quality and finest detail. In addition, you will find authentically performed phrases as well as inspiring sound atmospheres. The instruments offer all articulations being used in the phrases. Several microtunings allow the use of every desired tuning for the instruments.
The sounds of Ancient ERA Persia are truly unique and cannot be found in any other library. The excellent choice of instruments, articulations and sound atmospheres provides musicians and producers with an extensive compendium - it leaves no sound to be desired.
The instruments of this 17 gigabytes spanning library consist of extensive multisamples (24 bit, 44.1kHz) with several dynamic layers, multiple articulations, round-robins as well as real legato- and glissando-samples.
Ancient ERA Persia was recorded at Eldana Studios in Dueñas, Spain by Jorge Calderón and Eduardo Tarilonte. All instruments were played by virtuosos including Efrén López, Michalis Kouloumis, Stellios Petrakis, Jerome Salomon and Iván Karlón.
For the recording of the instruments, Tarilonte used selected Kahayan U47- and Neumann U87-microphones with API-preamplifiers and Kahayan Epsilon summing amplifiers. In this library, the instruments were intentionally captured close without significant room ambience, giving the user full control of the subsequent sound-design and effect selection. Thus making it easy to combine the sounds of Ancient ERA Persia with other Eduardo Tarilonte libraries.
En complément des instruments et des soundscapes, Ancient ERA Persia propose plus de 1000 boucles de percussions "live", ainsi que des phrases musicales complètes difficilement réalisables en MIDI du fait des subtilités de jeu.
"This is an inspiring collection of fascinating and evocative instruments, whether you're into creating Middle Eastern mood for films or gaming, or interested in cross-fertilising with other musicla genres"
As always, Eduardo Tarilonte made a library that will be automatically ordered by people who already have some of his libraries. It is not a standard sound library with a wide collection of all possible articulations for one or two instruments but a collection of many different instruments and tools that will help you to tell a story in the times of ancient Persia. ERA Persia is the best tool for that purpose, as Eduardo is a great storyteller. If you are in media music production then you are reading this article just to prove to yourself that you did the right thing by buying this library in advance. If this is not the case, then it is maybe a good time to check at least some audio and video demo clips that you can find on the Best Service Era Persia webpage.
"Checking Out the instruments I really was impressed. For the mutli-sampled instruments, playback is crisp and clear with plenty of impacts and low end. Each of the instruments seem to contain that added human quality of finger slides, breaths, and touch that add a beautiful level of realism to playback of the great collections of legato, glissando, trills and ornamentation articulations." - db
Excellent sounds, instruments, loops. Very inspiring. Very good work Eduardo Tarilonte as always. If you are scoring music for pictures, you will love it ! I have tha same opnion for many of Eduardo's librairies. I really hate ENGINE 2. A very poor *** called. It really needs a new interface, resolution adjustable. A complete rework is really needed. We are in *** It seems to be a *** software.
Welcome to DESERT WINDS, another virtual instrument from Eduardo Tarilonte, the creator of "Epic World" and "Forest Kingdom", featuring 21 exotic and oriental soundscapes based on four unique ethnic solo wind instruments. It is a perfect tool for composers and sound designers to create ambience and music for films, documentaries, video games and new age music.
Desert Winds is a 2.5 GB library with more than 2000 individual samples. In Desert Winds you will find up to 6 different real legato types per instrument, deep sampling and amazing playability.For each of the wind instruments you will find a microtuning folder with 16 patches featuring the most important arabic/turkish microtuning tables.
No doubt this is a unique, specialized library. That's cool and all, but I have to say that the detail and realism of the sounds are out of this world. I've been a fan of Eduardo's libraries ever since he released 'Sampled Landscape' a few years ago. His work always speaks quality, of which I think Desert Winds is among his best. This library is heaven-sent for those of us who do not know how to play these wind instruments. I know it takes time to practice and get acclimated with an instrument, but with Desert Winds' you get convincing sound and amazing playability that you can incorporate into your own arrangements. Producers like you and me have finally found the missing piece that was once buried in the sands of time. Best Service and Eduardo Tarilonte deliver a sure winner here.
The free turkish loops, samples and sounds listed here have been kindly uploaded by other users. If you use any of these turkish loops please leave your comments. Read the loops section of the help area and our terms and conditions for more information on how you can use the loops. Any questions on using these files contact the user who uploaded them. Please contact us to report any files that you feel may be in breach of copyright or our upload guidelines.
Description : Enjoy this* Strings with modulation, phaser and pitcher* for more loops click profile picture - dm my IG for stems, exclusive loops/loop kits#Tags: arabic, bollywood, turkish, drill, ethnic
Description : Enjoy this* Strings with modulation, phaser and pitcher* for more loops click profile picture - dm my IG for stems, exclusive loops/loop kits#Tags: arabic, indian, turkish, bollywood, ethnic
This guide is not a guide to using a DAW. It is assumed the reader of this guide already has a good working knowledge of using their DAW, including how to install, load, and configure VST instruments, and how to set up multiple tracks in a DAW. 2ff7e9595c
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